MARGO BERDESHEVSKY, born in New York city,  often writes in Paris. Her newest poetry manuscript was a finalist for the National Poetry Series, 2015. Her published poetry collections are Between Soul & Stone, and But a Passage in Wilderness (Sheep Meadow Press.) Her book of illustrated stories, Beautiful Soon Enough, received Fiction Collective Two’s Innovative Fiction Award, (University of Alabama Press). Other honors include the Robert H. Winner Award from the Poetry Society of America, the & Now Anthology of the Best of Innovative Writing, numerous Pushcart prize nominations for works in Poetry International, New Letters, Kenyon Review, The Collagist, Tupelo Quarterly, Gulf Coast, Pleiades, Prairie Schooner,  among others. In Europe her work has been seen in The Poetry Review (UK) The Wolf, Europe, Siècle 21, & Confluences Poétiques. A multi genre novel, Vagrant, is patiently at the gate. Her “Letters from Paris” may be seen in Poetry International here: She may be found reading from her books in London, Paris, New York City, or somewhere new—in the world.  For more information, kindly see:

"There is in Margo Berdeshevsky’s work a rare persistence of the lyric voice, used with a sense of ecstasy & grief almost religious in its evocations.  Absolutely modern & fearlessly romantic by turns, the poems circle the rich & threatened corners of the living planet & travel further into places marked by mythic & oneiric time. With the publication of But a Passage in Wilderness, Berdeshevsky emerges, fully empowered, as the maker of a new poetry that pushes voice & image toward creation of a world 'barbaric, vast and wild' that Diderot once saw as marker of what all poetry must be."—Jerome Rothenberg

"[This first book] is an extraordinary mixture of emotional power and beauty. It's not like anything else I have read lately or in the past. So MUCH verbal beauty, out of the here-and-now, woven with an extraordinary openness to what is precisely NOT beautiful in human life, making that an intrinsic part of the poem's texture . . . at once quintessential poems of witness and poems with the eternal quality of the tale or fable: a truth co-existent with the truth of observation, intrinsic to the words and the perceptive, humane imagination that engendered them . . ."—Marilyn Hacker

"What makes But a Passage in Wilderness a unity, a big book and a small cosmos, is the depth of feeling it conveys, abundant and interactive, embodied and sensual. The poems are unfailingly fluent with emotional understanding, accurately invoked. A faithful dailyness radiates her words, even in her most daring flights. 'Mother-ground,' she says, 'show me roots in your bare dirty kiss.' She has taken her store of our language to heart."—Marie Ponsot